Back with Areté for another collection shoot, we seem to outdo ourselves every time that owes itself to a solid team all channeling the same direction and aesthetic.
The palette here is the star of the show, shooting in The Hockley Arts Club’s various rooms that created this 80’s party-esque tone.
The guys at Areté welcomed and trusted my experiment of shooting vertically in camera (9:16) for more screen real estate on social media when viewed on phones, which is obviously how most people experience the world now. It’s a very different framing to work with but I think it’s perfect for this where the main focus is all on the models and hair. I imagine this can easily be done when shooting 4K horizontally and reframing in post, but unfortunately the Sony A7Riii doesn’t do that at 60p for slow-mo. Hey-ho.
I was mainly striving for a sharper video on Instagram and experimenting on ways of how to avoid it’s muddy compression that loves to make a mockery of my Sony’s amazing video quality. According to various blogs, keeping the video under 15MB at 1080x1350 (4:5) is the sweet spot to avoid compression and have the largest post size in feed, It’s seemed to work better but still it’s not perfect, I saw a video by Givenchy that was incredibly sharp for Instagram that made me question why everyone else’s videos don’t look like that. I imagine in reality it’s based in a monetary backhand to Facebook to allow this quality that us general public don’t get access to.
Regardless, I think I’ll be doing a lot more video fo 4:5 vertical video that just as easily can be used 9:16 for a gorgeous screen-filling Instagram story.